| |
|
|
|
|
 |
|
|
|
|
VIETNAM AND ITS
ART
Vietnam is an exciting
vibrant country with more than 50% of its population under 21. It
remains a communist state but one that is embracing capitalism and
developing fast. Both the major Cities – the Capital Hanoi in
the North and Ho Chi Minh City (some still refer to it as Saigon)
are buzzing, with tall building cranes fighting for air space, hotels,
apartment blocks and office buildings are appearing at a furious pace.
But despite all this the people seem able to retain their poise and
sense of dignity – whether it is as a whole family (two adults,
two children) on one small motor cycle, or a young child in the fields
minding the water buffalo, or what is for me the quintessential Vietnamese
image of a young school girl riding along the City streets on a very
upright bicycle with ‘Ao dai’ (traditional costume) flowing
out behind. The Vietnamese
are a proud, dignified essentially happy people who get on with living
no matter what seems to be going on around them. It
is no wonder that their art is special. Very often it has serenity
and a simplicity that has tremendous appeal. Colours are often strong
combined in a way that is not normal to the European eye but nonetheless
appealing. A high proportion of the
population are involved in agriculture – producing food
to eat. Markets are an important part of everyday life. Rivers and
their deltas are arteries of communication, sources of food and an
integral part of life. The subjects of Vietnamese Art are therefore
not very different from ours – landscapes, townscapes, boats,
harbours, animals, family, people at work in the community, characters
at their work, figurative, etc., but their treatment is different
– refreshing, sometimes simplistic, colourful, sometimes naïve
but exciting. Enough of Words
– if you missed our last exhibition and you would like to see
more Vietnamese works – click
here.
If you would like more information on any particular artist or Vietnam,
contact us by clicking
here or phone 01242 526044 direct and speak to Ian James |
|
|
|
|
|
|